Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Silhouetportret van Charles Frederik Bartholomeus de Florimont - Elisabeth Alida Haanen
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A refined silhouette portrait of Charles Frederik Bartholomeus de Florimont by Dutch artist Elisabeth Alida Haanen, dating to the early nineteenth century.
This silhouette portrait by the Dutch artist Elisabeth Alida Haanen depicts Charles Frederik Bartholomeus de Florimont in profile. The work belongs to the Biedermeier period, a time when the silhouette became a popular and accessible form of portraiture for the middle classes. Haanen, a member of a prominent family of artists, demonstrates a precise hand in capturing the subject's features through the stark contrast of black ink against a light paper ground.
The composition is minimalist, focusing entirely on the outline of the sitter. The subject is shown from the chest up, wearing a high-collared coat typical of early nineteenth-century masculine fashion. The artist has included the word 'Schilder' (painter) above the portrait, identifying the subject's profession, and the sitter's name is inscribed in elegant cursive script at the base. The framing lines around the silhouette provide a sense of order and containment, common in the presentation of such personal keepsakes during this era.
Unlike more elaborate portraiture of the time, this piece relies on the economy of line and shape to convey identity. The silhouette functions as a direct record of the subject's profile, stripped of the distractions of colour or complex lighting. It offers a glimpse into the social history of the Netherlands in the 1830s, where such portraits were often collected in albums or displayed in modest frames within the home. The work remains a clear example of the technical skill required to produce a recognisable likeness using only a solid dark form. Its preservation allows for a study of both the aesthetic preferences of the period and the specific portraiture practices of the Haanen family.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Silhouetportret van Charles Frederik Bartholomeus de Florimont - Elisabeth Alida Haanen
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Elisabeth Alida Haanen
Elisabeth Alida Haanen belonged to a prolific Dutch artistic dynasty, yet she carved out a distinctive niche through the precise art of the silhouette. While her male relatives focused on large-scale oil paintings, she documented the faces of the Dutch art world with speed and accuracy. Her collection of portraits functions as a visual record of her contemporaries, capturing the faces of artists like Ferdinand I De Braekeleer and Valentijn Bing. These were formal records of the creative community in 19th-century Utrecht and Amsterdam rather than mere sketches.
Her method relied on the contrast between light and shadow to define character. By stripping away colour and fine facial detail, Haanen forced the viewer to focus on the unique contours of a subject's face. This minimalist approach required a steady hand and a keen eye for proportion. Each silhouette in her catalogue maintains a strict formal quality, often framed within simple ovals that emphasise the subject's posture and professional dignity. The consistency across her series of artist portraits suggests a systematic effort to archive the faces of her contemporaries.
Modern collectors find value in the graphic clarity and historical weight of these works. The monochrome palette allows these prints to fit into contemporary interiors without clashing with existing decor. Unlike traditional portraits, these silhouettes offer a sense of mystery and anonymity while remaining historically grounded. They provide a direct connection to the Dutch Romantic period and are quiet observations of a lost generation of artists. For those interested in the history of the Netherlands, Haanen's work is a distinctive choice.
Her method relied on the contrast between light and shadow to define character. By stripping away colour and fine facial detail, Haanen forced the viewer to focus on the unique contours of a subject's face. This minimalist approach required a steady hand and a keen eye for proportion. Each silhouette in her catalogue maintains a strict formal quality, often framed within simple ovals that emphasise the subject's posture and professional dignity. The consistency across her series of artist portraits suggests a systematic effort to archive the faces of her contemporaries.
Modern collectors find value in the graphic clarity and historical weight of these works. The monochrome palette allows these prints to fit into contemporary interiors without clashing with existing decor. Unlike traditional portraits, these silhouettes offer a sense of mystery and anonymity while remaining historically grounded. They provide a direct connection to the Dutch Romantic period and are quiet observations of a lost generation of artists. For those interested in the history of the Netherlands, Haanen's work is a distinctive choice.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Museum-Quality Materials
Artist Biography
Elisabeth Alida Haanen
Elisabeth Alida Haanen belonged to a prolific Dutch artistic dynasty, yet she carved out a distinctive niche through the precise art of the silhouette. While her male relatives focused on large-scale oil paintings, she documented the faces of the Dutch art world with speed and accuracy. Her collection of portraits functions as a visual record of her contemporaries, capturing the faces of artists like Ferdinand I De Braekeleer and Valentijn Bing. These were formal records of the creative community in 19th-century Utrecht and Amsterdam rather than mere sketches.
Her method relied on the contrast between light and shadow to define character. By stripping away colour and fine facial detail, Haanen forced the viewer to focus on the unique contours of a subject's face. This minimalist approach required a steady hand and a keen eye for proportion. Each silhouette in her catalogue maintains a strict formal quality, often framed within simple ovals that emphasise the subject's posture and professional dignity. The consistency across her series of artist portraits suggests a systematic effort to archive the faces of her contemporaries.
Modern collectors find value in the graphic clarity and historical weight of these works. The monochrome palette allows these prints to fit into contemporary interiors without clashing with existing decor. Unlike traditional portraits, these silhouettes offer a sense of mystery and anonymity while remaining historically grounded. They provide a direct connection to the Dutch Romantic period and are quiet observations of a lost generation of artists. For those interested in the history of the Netherlands, Haanen's work is a distinctive choice.
Her method relied on the contrast between light and shadow to define character. By stripping away colour and fine facial detail, Haanen forced the viewer to focus on the unique contours of a subject's face. This minimalist approach required a steady hand and a keen eye for proportion. Each silhouette in her catalogue maintains a strict formal quality, often framed within simple ovals that emphasise the subject's posture and professional dignity. The consistency across her series of artist portraits suggests a systematic effort to archive the faces of her contemporaries.
Modern collectors find value in the graphic clarity and historical weight of these works. The monochrome palette allows these prints to fit into contemporary interiors without clashing with existing decor. Unlike traditional portraits, these silhouettes offer a sense of mystery and anonymity while remaining historically grounded. They provide a direct connection to the Dutch Romantic period and are quiet observations of a lost generation of artists. For those interested in the history of the Netherlands, Haanen's work is a distinctive choice.
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