A refined eighteenth-century portrait engraving of the French polemicist Simon-Nicholas Henri Linguet, executed by Augustin de Saint-Aubin after Jean-Baptiste Greuze.

This portrait print depicts the French lawyer and polemicist Simon-Nicholas Henri Linguet. The work is an etching and engraving by Augustin de Saint-Aubin, based on an original painting by Jean-Baptiste Greuze. Saint-Aubin was a prolific draughtsman and printmaker, known for his technical precision and his ability to translate the painterly qualities of his contemporaries into the medium of print.

The composition follows the conventions of eighteenth-century portraiture, presenting the subject within a trompe-l'oeil oval frame. Linguet is shown in a bust-length view, wearing a fur-trimmed coat over a simple cravat. His expression is alert, capturing the intellectual intensity associated with his controversial career as a writer and critic. The lower portion of the print features a stone-effect tablet containing the subject's name and birth details, a common device in formal portrait prints of the period to provide historical context.

Saint-Aubin employs a refined system of cross-hatching and stippling to render the textures of the fur, the fabric of the coat, and the subtle contours of the face. The lighting is directed to model the features of the sitter, creating a sense of volume within the oval frame. This print serves as a record of both the sitter and the collaborative relationship between the painter Greuze and the engraver Saint-Aubin. It reflects the high standard of reproductive printmaking in late eighteenth-century France, where such works were essential for the dissemination of portraits of public figures to a wider audience. The clarity of the line work and the balanced tonal range demonstrate the technical mastery expected of a royal engraver during the reign of Louis XVI.