A detailed 1553 engraving by Heinrich Aldegrever depicting the mythological encounter between Sol and his son, Phaethon.

This engraving by Heinrich Aldegrever, dated 1553, depicts the classical myth of Phaethon petitioning his father, the sun god Sol, for permission to drive the solar chariot. As one of the 'Little Masters' of the German Renaissance, Aldegrever demonstrates a high level of technical precision in his use of the burin. The composition focuses on the interaction between the two figures: Sol sits enthroned, his form muscular and defined by careful cross-hatching, while Phaethon kneels before him in a posture of supplication.

The sun god is identified by the radiant solar disc positioned behind him, a common iconographic device in sixteenth-century prints. The architectural setting, featuring classical columns and draped textiles, provides a structured environment for the narrative. Aldegrever employs a dense system of lines to create volume and shadow, particularly in the musculature of the figures and the folds of the cushions. The artist's monogram, AG, is visible in the lower right corner, a hallmark of his professional practice.

This work reflects the period's fascination with Ovidian themes and the human form. The engraving style is characteristic of the German school, which prioritised clarity of line and anatomical study. The inclusion of Latin text at the base serves to ground the image within the humanist tradition of the era. This print offers a clear example of the small-scale, highly detailed works produced for collectors and connoisseurs during the mid-sixteenth century. The contrast between the divine authority of Sol and the mortal ambition of Phaethon is captured through the deliberate positioning of the figures, creating a balanced yet dramatic scene.