Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Staande naakte vrouw met geheven armen - Samuel Jessurun de Mesquita
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A striking woodcut by Dutch artist Samuel Jessurun de Mesquita, featuring a central nude figure surrounded by rhythmic, symbolic lines and mask-like forms.
This woodcut by Samuel Jessurun de Mesquita demonstrates the artist's mastery of line and his affinity for the Symbolist aesthetic. The composition features a central female figure with arms raised, surrounded by flowing, rhythmic lines that suggest movement or an ethereal atmosphere. Two mask-like faces appear on either side of the figure, adding a layer of mystery and psychological tension characteristic of the artist's work. De Mesquita, a Dutch graphic artist known for his precise technique, often employed these stark, high-contrast woodcuts to explore themes beyond simple representation.
The print is executed on a textured, neutral-toned paper, which allows the dark ink to sit with a matte, organic quality. The lines are deliberate and calligraphic, defining the contours of the body while simultaneously creating a decorative pattern in the background. The vertical orientation of the work emphasises the elongation of the figure, a common stylistic choice in early twentieth-century printmaking that draws influence from both Art Nouveau and the more abstract tendencies of the era.
De Mesquita was a significant figure in the Dutch art scene, teaching at the School of Applied Arts in Haarlem and influencing many younger artists, most notably M.C. Escher. His work often bridges the gap between decorative design and fine art, showing a clear interest in the graphic potential of the woodcut medium. This particular piece avoids unnecessary detail, focusing instead on the balance between the human form and the surrounding abstract motifs. The result is a work that feels both ancient and modern, relying on the interplay of light and shadow to convey its subject. It is a fine example of the graphic rigour that defined his career, offering a glimpse into the creative mind of an artist who prioritised clarity of form and expressive power.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Staande naakte vrouw met geheven armen - Samuel Jessurun de Mesquita
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Samuel Jessurun De Mesquita
After the Nazis deported De Mesquita and his family in February 1944, M.C. Escher went to his teacher's ransacked house and rescued as much of his work as he could. Some of the prints Escher saved still bear the muddy boot prints of German soldiers. De Mesquita, his wife Elisabeth and their son Jaap all died in the camps.
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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