Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





Frida Kahlo's 1951 painting "Still Life" features a vibrant arrangement of fruits and a pre-Columbian dog sculpture, accompanied by a personal inscription and the Mexican flag.
Painted in 1951, Frida Kahlo's "Still Life" presents a collection of fruits and objects arranged on a table against a blue background. The composition includes a slice of watermelon, oranges, lemons, and other fruits, creating a colourful and textured display. A pre-Columbian dog sculpture acts as a central element, adding a layer of cultural symbolism to the arrangement. A flag bears an inscription: "Soy de Samuel Fastlicht. Me pinto con todo cariño, Frida Kahlo, en 1951. Coyoacán" (I am from Samuel Fastlicht. I paint myself with all my love, Frida Kahlo, in 1951. Coyoacán). This personal dedication adds an intimate dimension to the work, connecting it to Kahlo's life and relationships. The inclusion of the Mexican flag further grounds the painting in her national identity. Kahlo is best known for her self-portraits, which often incorporate elements of her personal experiences, physical pain, and Mexican heritage. Although less frequent, her still lifes share the same intensity and symbolic depth as her more famous works. This painting offers a glimpse into Kahlo's exploration of form, colour, and personal expression through the genre of still life.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Started painting in a body cast after a bus crash at eighteen, married Diego Rivera twice, and told Breton she was not a Surrealist.
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