Study for 'The Ascension of Christ' Stained-Glass Window - Edward Burne-Jones
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A preparatory study by Edward Burne-Jones for a stained-glass window depicting 'The Ascension of Christ'. This Pre-Raphaelite work showcases the artist's masterful use of colour and line, imbuing the scene with ethereal beauty and spiritual transcendence.
This captivating study by Sir Edward Burne-Jones depicts 'The Ascension of Christ' (Acts 1: 1-9), rendered in the artist's signature Pre-Raphaelite style. Created as a preparatory work for a stained-glass window, the composition is divided into two distinct registers. Above, Christ ascends amidst a chorus of angels, their serene faces framed by golden halos and draped in flowing blue robes. Below, the apostles and Virgin Mary gaze upwards in awe, their expressions conveying a mixture of reverence and wonder. Burne-Jones's masterful use of colour and line imbues the scene with a sense of ethereal beauty and spiritual transcendence. Burne-Jones, a key figure in the British Arts and Crafts movement, was deeply influenced by medieval art and literature. His stained-glass designs, often executed in collaboration with William Morris, can be found in churches and cathedrals throughout England. This study offers a rare glimpse into the artist's creative process, revealing the meticulous planning and attention to detail that characterised his work. As a fine art print, this piece brings a touch of historical elegance and spiritual contemplation to any living space, serving as a reminder of faith, beauty, and the enduring power of art.
Study for 'The Ascension of Christ' Stained-Glass Window - Edward Burne-Jones
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Premium materials
Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
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Museum-grade prints
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
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Crafted in the UK
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
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Ready to hang
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Edward Burne-Jones
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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