Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










A preparatory sketch by Edward Burne-Jones for his planned 'Death of Medusa' series, this study showcases the artist's skill in capturing the human form with delicate lines and a striking blue palette. A beautiful addition to any space.
This striking study by Sir Edward Burne-Jones offers a glimpse into the artist's creative process for his planned, but never completed, series 'The Death of Medusa'. Rendered in a distinctive blue hue, the sketch captures the nude figure of Medusa in a reclining pose, her form delicately outlined against the monochromatic background. Burne-Jones, a key figure in the Aesthetic Movement, was deeply inspired by classical mythology and the Italian Renaissance, often imbuing his works with a sense of romanticism and melancholy. This particular study showcases the artist's mastery of line and form, highlighting his meticulous attention to anatomical detail. The limited colour palette enhances the ethereal quality of the piece, lending it a timeless appeal. As a fine art print, this work would make a sophisticated addition to any home, bringing a touch of Pre-Raphaelite elegance to a living room, study, or hallway. Its subtle tones and classical subject matter make it a versatile piece that complements both modern and traditional interiors.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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