Study of Two Putti for 'The Troy Triptych' - Edward Burne-Jones
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A delicate brown wash study by Edward Burne-Jones for his 'Troy Triptych', depicting two putti with soft lines and subtle tones. A sophisticated addition lending historical elegance to any interior.
This delicate brown wash drawing by Sir Edward Burne-Jones (1833-1898) is a preparatory study for his celebrated 'Troy Triptych'. Executed between 1870 and 1872, the study depicts two putti, or cherubic figures, rendered with soft, flowing lines and subtle tonal variations. Burne-Jones, a key figure in the Aesthetic Movement, was deeply inspired by classical mythology and medieval romance, themes that permeate his artistic output. This particular study showcases his meticulous approach to figure drawing and his ability to imbue his subjects with a sense of ethereal beauty. The composition features one putto seated and leaning pensively, while the other sits upright, gazing outward. The background suggests architectural details, hinting at the grand scale of the final triptych. The limited colour palette and the artist's focus on form and light create a serene and contemplative atmosphere. As a fine art print, this study offers a glimpse into the creative process of a master artist. Its muted tones and classical subject matter make it a sophisticated addition to any interior, lending a touch of historical elegance to a living room, study, or hallway. The artwork's subtle beauty and refined execution ensure it will be a cherished piece for years to come.
Study of Two Putti for 'The Troy Triptych' - Edward Burne-Jones
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Crafted for a Lifetime
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Premium materials
Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
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Museum-grade prints
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
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Crafted in the UK
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
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Ready to hang
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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What our customers say
Real reviews from real customers
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Edward Burne-Jones
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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