Tehuana Women - Diego Rivera
Archival giclée
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Description
Diego Rivera's 'Tehuana Women' depicts three women in traditional clothing, set against a backdrop of lush foliage. The fresco exemplifies Rivera's characteristic style and subject matter, blending elements of Cubism, Post-Impressionism, and traditional Mexican art.
Diego Rivera was a prominent Mexican painter, known for his large frescoes that helped establish the Mexican Muralism movement. These murals, often politically charged and socially relevant, played a significant role in shaping Mexican identity in the 20th century. Rivera's work frequently depicted Mexican history, culture, and the struggles of the working class. His artistic style blended elements of Cubism, Post-Impressionism, and traditional Mexican art. 'Tehuana Women' exemplifies Rivera's characteristic style and subject matter. The fresco depicts three women in traditional Tehuana clothing, set against a backdrop of lush foliage. The central figure stands tall, carrying a basket of fruit on her head, symbolising abundance and the role of women in Mexican society. To her right, another woman stands with a gourd on her head, while a third kneels to the left, tending to a plant. The composition is framed by architectural elements, suggesting the mural's location within a building. The colour palette is earthy and warm, with ochre, reds, and greens dominating the scene. The figures are rendered with simplified forms and strong outlines, characteristic of Rivera's mural style.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Tehuana Women - Diego Rivera
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Diego Rivera
He studied at the Academy of San Carlos in Mexico City and spent fourteen years in Europe (1907-1921), absorbing Cubism in Paris and working alongside Picasso, Modigliani, and Mondrian. He returned to Mexico and found his subject: the history, labour, and people of his country, painted in a style that combined Renaissance fresco technique with pre-Columbian imagery and Marxist ideology.
The Detroit Industry Murals at the Detroit Institute of Arts (1932-33) are twenty-seven panels depicting the Ford Motor Company's River Rouge plant. The workers are heroic. The machinery is beautiful. Henry Ford's son Edsel commissioned them. The business community wanted them destroyed. They survived.
He married Frida Kahlo in 1929. They divorced in 1939. They remarried in 1940. The relationship was mutually unfaithful, politically intense, and artistically productive for both of them. Rivera said Kahlo was the better painter. Whether he believed this or was performing generosity is an open question.
He accepted a commission from Nelson Rockefeller for a mural in Rockefeller Center in 1933 and included a portrait of Lenin. Rockefeller asked him to remove it. Rivera refused. The mural was destroyed. Rivera repainted it in Mexico City. He died in 1957, at seventy.
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