Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Tennis at Newport - George Bellows
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A dynamic oil painting by George Bellows depicting a social gathering at the Newport Casino in 1919, captured with expressive brushwork and light.
George Bellows, a central figure of the Ashcan School, painted Tennis at Newport in 1919. This work captures a social gathering at the Newport Casino, a venue synonymous with the American elite during the early twentieth century. Bellows employs a vigorous, expressive brushwork that departs from the precise academic styles of the era, favouring a sense of immediate energy and movement.
The composition is busy, filled with figures dressed in the formal attire of the period. Spectators occupy the foreground and the shaded areas of the club building, creating a contrast between the bright, sun-drenched court and the dark, leafy surroundings. The artist uses a palette dominated by greens, whites, and deep shadows, which helps to define the spatial depth of the scene. While Bellows is often associated with gritty urban scenes of New York, this work demonstrates his ability to observe the leisure activities of the upper class with the same analytical eye he applied to boxing matches or street life.
The figures are rendered with loose, gestural strokes, suggesting the bustle of the crowd rather than individual portraits. The architecture of the club provides a structured backdrop, yet the overall effect remains one of fluid activity. Bellows manages to convey the atmosphere of a summer afternoon, where the heat and the social dynamics of the participants are palpable. This painting offers a glimpse into the social rituals of the American Gilded Age, documented through the lens of an artist who preferred raw observation over polished idealism.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Tennis at Newport - George Bellows
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
George Bellows
Bellows was six foot two and good enough at baseball to attract interest from the Cincinnati Reds. He chose painting instead, moved to New York in 1904, and studied under Robert Henri at the New York School of Art. Henri taught that art should engage with the messy reality of American life, not retreat into academic prettiness. Bellows took the instruction further than anyone in the group.
He painted boxing matches at Tom Sharkey's saloon, an illegal club near the Brooklyn waterfront where bare-knuckle fights happened in a back room. Stag at Sharkey's, painted in 1909 when he was twenty-six, shows two fighters locked together under electric light, the crowd surging at the edges of the canvas. The paint is applied with a violence that matches the subject.
He was the youngest artist associated with the Ashcan School and the boldest. While other members painted park benches and tenement laundry lines, Bellows painted excavation sites, shipyards, snow-covered lots, and river swimmers. The compositions are physically large, thickly painted, and arranged with an energy that makes the viewer feel as though the scene is still happening.
He worked as a newspaper sports illustrator to pay the bills, and the events he covered became paintings. In 1923 he was at the Polo Grounds on assignment for the New York Evening Journal when Luis Firpo knocked Jack Dempsey out of the ring and nearly into his lap. The painting he made of the moment reversed the punch to a left hook because the composition worked better that way. Accuracy was less important than impact.
He died of a ruptured appendix in 1925, at forty-two.
He painted boxing matches at Tom Sharkey's saloon, an illegal club near the Brooklyn waterfront where bare-knuckle fights happened in a back room. Stag at Sharkey's, painted in 1909 when he was twenty-six, shows two fighters locked together under electric light, the crowd surging at the edges of the canvas. The paint is applied with a violence that matches the subject.
He was the youngest artist associated with the Ashcan School and the boldest. While other members painted park benches and tenement laundry lines, Bellows painted excavation sites, shipyards, snow-covered lots, and river swimmers. The compositions are physically large, thickly painted, and arranged with an energy that makes the viewer feel as though the scene is still happening.
He worked as a newspaper sports illustrator to pay the bills, and the events he covered became paintings. In 1923 he was at the Polo Grounds on assignment for the New York Evening Journal when Luis Firpo knocked Jack Dempsey out of the ring and nearly into his lap. The painting he made of the moment reversed the punch to a left hook because the composition worked better that way. Accuracy was less important than impact.
He died of a ruptured appendix in 1925, at forty-two.
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Fine Art Framed
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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