The Angels of the Hierarchy: Male Nude Imago Dei - Edward Burne-Jones
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A delicate preparatory drawing by Edward Burne-Jones, 'The Angels of the Hierarchy: Male Nude Imago Dei' showcases the artist's mastery of the human form and his engagement with classical and spiritual themes. A beautiful addition to any space.
This exquisite drawing, titled 'The Angels of the Hierarchy: Male Nude Imago Dei', is a preparatory study by the eminent Pre-Raphaelite artist Edward Burne-Jones. Executed in 1873 using pencil and brown wash on paper, it showcases Burne-Jones's meticulous attention to detail and his profound understanding of the human form. The figure, rendered in delicate lines and subtle shading, stands amidst a backdrop of stylised foliage and fruit, characteristic of the Aesthetic Movement's emphasis on beauty and decorative elements. Burne-Jones was deeply influenced by classical and medieval art, and this work reflects his interest in idealised beauty and spiritual themes. The title itself suggests a connection to religious iconography, with the 'Imago Dei' referencing the concept of humanity being made in God's image. The drawing's subdued colour palette and intricate linework create a serene and contemplative atmosphere. As a fine art print, this piece brings a touch of refined elegance to any interior. Its muted tones and classical subject matter make it a versatile addition to various decor styles, from traditional to contemporary. Whether displayed in a living room, study, or hallway, this print invites viewers to appreciate the beauty of the human form and the artistry of one of Britain's most celebrated painters.
The Angels of the Hierarchy: Male Nude Imago Dei - Edward Burne-Jones
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Crafted for a Lifetime
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Premium materials
Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
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Museum-grade prints
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
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Crafted in the UK
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
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Ready to hang
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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What our customers say
Real reviews from real customers
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Edward Burne-Jones
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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