A hand-coloured woodcut by Swiss Renaissance artist Urs Graf, depicting the solemn entombment of Christ with traditional iconography.

This hand-coloured woodcut by the Swiss artist Urs Graf depicts the entombment of Christ. Graf, active in the early sixteenth century, was a prolific draughtsman and printmaker known for his direct, often raw approach to graphic arts. The composition follows traditional iconographic conventions for this subject, showing the body of Christ being lowered into a stone sarcophagus by figures representing the mourners and attendants. The woodcut medium dictates the visual character of the piece. The lines are bold and functional, designed to define form within the constraints of the carved block. The application of colour, likely added by hand after the initial printing, provides a rudimentary tonal structure to the scene. The palette is limited to earthy greens, muted pinks, and ochre tones, which serve to separate the figures from the background environment. Graf’s work often reflects the stylistic tendencies of the Swiss and German Renaissance, where the focus remained on clear narrative communication. The figures are rendered with a degree of stylisation that prioritises the emotional weight of the event over anatomical precision. The inclusion of the crown of thorns in the foreground acts as a symbolic reminder of the preceding Passion. This print provides a window into the production of devotional imagery during the early sixteenth century, where such small-scale works were distributed to facilitate personal piety. The composition is compact, fitting the narrative into a vertical frame that directs the viewer's attention to the central act of burial. The background remains minimal, suggesting an outdoor setting with simple hatching to indicate grass and foliage, allowing the primary figures to occupy the visual space without distraction.