Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Confession of Love - Jean-Honore Fragonard
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A classic Rococo scene by Jean-Honore Fragonard, depicting a romantic encounter between two lovers in a secluded garden setting.
Jean-Honore Fragonard, a master of the French Rococo, produced this work as part of a series commissioned by Madame du Barry for her pavilion at Louveciennes. The painting depicts a clandestine moment between two lovers, set within a lush, overgrown garden. The figures are positioned upon a stone plinth, partially obscured by the dense foliage that characterises the artist's approach to outdoor settings. A classical statue stands to the right, providing a silent witness to the intimate exchange.
Fragonard employs a fluid, rapid brushwork technique that creates a sense of spontaneity. The light filters through the trees, illuminating the couple and the pale stone of the pedestal, while the surrounding environment remains in shadow. This contrast directs the viewer's attention to the narrative of the scene. The inclusion of the parasol adds a touch of contemporary fashion, grounding the romantic encounter in the period of the late eighteenth century.
The composition relies on the interplay between the organic forms of the trees and the structured, architectural elements of the plinth and statue. Fragonard avoids rigid lines, preferring soft transitions that mirror the emotional tone of the subject. The palette consists of earthy greens, warm browns, and the soft, luminous tones of the figures' clothing. This work captures the lighthearted, often theatrical nature of aristocratic life in pre-revolutionary France, reflecting the period's interest in themes of courtship and gallantry. It remains a representative example of the artist's ability to blend natural observation with imaginative, staged narratives.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
The Confession of Love - Jean-Honore Fragonard
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Jean Honore Fragonard
The Swing was commissioned by a courtier who wanted himself depicted looking up his mistress's skirt as she swung above. A bishop pushes the swing in the background. The original commissioner first approached another painter, who refused the subject as undignified. Fragonard accepted.
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
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Fine Art Framed
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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