A detailed 1577 engraving by Johannes Wierix depicting the political alliance of Liedekercke, Boursse, and Rouck during the Dutch Revolt.

This engraving by Johannes Wierix documents a specific political event from the Dutch Revolt, dated 1 August 1577. The composition centres on an oval frame depicting the figures of Liedekercke, Boursse, and Rouck, who are shown joining hands in a gesture of alliance. They are flanked by allegorical female figures representing Fiducia (Trust) and Charitas (Charity), who hold infants and symbols of their virtues. Above the central scene, two further allegorical figures, Tribulatio (Tribulation) and Pietas (Piety), occupy the upper corners, framing a celestial chariot scene. The lower section features a cartouche containing text in both French and Dutch, which explains the political context of the union formed to liberate the country from tyranny.

Wierix, a master of the burin, employs precise, fine lines to define the figures and the architectural setting. The work reflects the complex political climate of the Low Countries during the late sixteenth century, where printmaking functioned as a primary medium for disseminating news and political propaganda. The use of classical allegory to frame contemporary historical actors was a common practice, intended to elevate the status of the political figures by associating them with timeless virtues. The engraving demonstrates the technical proficiency of the Wierix family, who were instrumental in the production of high-quality prints in Antwerp. The balance between the central narrative and the surrounding decorative elements creates a structured, formal appearance typical of the period. This print serves as a visual record of the shifting alliances during the Eighty Years' War, capturing the tension and hope of the era through a sophisticated iconographic programme.