Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Death of Elizabeth I, Queen of England - Paul Delaroche
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
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Description
A dramatic historical painting by Paul Delaroche depicting the final moments of Queen Elizabeth I, rendered with meticulous attention to period detail.
Paul Delaroche, a central figure in the French Academic tradition, produced this work in 1828. It depicts the final moments of the Tudor monarch, Elizabeth I. The composition focuses on the Queen, who lies on the floor, surrounded by her attendants and courtiers. Delaroche was known for his ability to render historical scenes with a high degree of theatricality and attention to period detail, a style often termed 'anecdotal history'.
The scene is set within a dimly lit chamber, where the heavy drapery and ornate furnishings suggest the gravity of the royal demise. The Queen, dressed in elaborate garments, appears frail and exhausted, contrasting with the sombre, standing figures of the men in the background. The use of light directs the viewer's eye towards the central group, where the emotional weight of the event is concentrated. One attendant covers her face in grief, while others look on with expressions of concern or solemnity. The artist employs a controlled palette, using deep reds and muted golds to create a sense of historical authenticity and dramatic tension.
Delaroche’s approach to this subject reflects the nineteenth-century interest in the private lives of public figures. By choosing to depict the Queen in a state of physical decline rather than in a moment of triumph, he invites the viewer to consider the human reality behind the crown. The painting is a characteristic example of his technical precision, particularly in the rendering of textiles and the subtle modulation of light across the figures. This work remains a significant example of the Romantic-era fascination with historical narrative, executed with the discipline of the French Academy.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
The Death of Elizabeth I, Queen of England - Paul Delaroche
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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