A detailed seventeenth-century etching by Johann Wilhelm Baur depicting the tragic mythological scene of Pyramus and Thisbe.

This etching by Johann Wilhelm Baur depicts the tragic conclusion of the Ovidian myth of Pyramus and Thisbe. Baur, a German artist who spent much of his career in Italy, was known for his technical precision in printmaking. The scene captures the moment Thisbe discovers the body of her lover, Pyramus, beneath the mulberry tree.

Baur employs a characteristic Baroque approach to the composition, balancing the figures against a detailed, naturalistic setting. The etching demonstrates his ability to render texture through varied line work, from the rough bark of the central tree to the soft folds of drapery. A fountain stands to the left, providing a structural anchor to the scene, while the background recedes into a series of rolling hills and foliage. The artist uses cross-hatching to build shadow and volume, creating a sense of depth that draws the eye across the foreground.

This work reflects the seventeenth-century interest in classical literature and the dramatic potential of mythological subjects. Baur often produced small-scale, highly detailed prints that were collected by contemporaries for their narrative clarity and execution. The figures are rendered with a focus on their emotional state, conveying the gravity of the myth. The print is signed and dated in the lower left corner, consistent with Baur's practice of documenting his work during his time in Rome. The composition remains a fine example of the period's printmaking techniques, where the artist relied on the density of lines to establish tone and atmosphere without the use of colour.