The Effect of Disobedience - James Ward
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Description
A dramatic 1848 oil painting by James Ward depicting a biblical scene of divine retribution, featuring a prophet and a lion in a cavernous setting.
James Ward, a prominent figure in British Romantic painting, produced this work in 1848. The composition depicts a biblical narrative, specifically the story of the disobedient prophet from the First Book of Kings. The scene captures the aftermath of the prophet's encounter with a lion, which was sent as divine retribution for his failure to follow instructions.
Ward employs a dramatic chiaroscuro to heighten the tension within the cavernous setting. The recumbent figure of the prophet, draped in a deep red cloth, lies in the foreground, his form rendered with anatomical precision. Beside him, the lion rests, its gaze fixed and powerful, serving as a reminder of the consequence of the prophet's actions. In the background, a secondary figure stands near the cave entrance, observing the scene, while a donkey remains tethered in the shadows, adding to the sense of isolation and stillness.
The artist's mastery of animal anatomy is evident in the depiction of the lion, a subject for which Ward was well-regarded during his career. The brushwork is controlled yet expressive, allowing for a play of light that draws the eye across the textures of the rock, the fabric, and the animal's mane. This work reflects the broader interest in moralising narratives that occupied many British artists of the nineteenth century. Ward's approach avoids excessive sentimentality, opting instead for a grounded, almost theatrical presentation of the event. The palette is dominated by earthy tones, punctuated by the striking crimson of the prophet's garment, which provides a visual anchor for the composition. This print offers a clear reproduction of Ward's original oil painting, maintaining the tonal balance and the atmospheric quality of the original work.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Effect of Disobedience - James Ward
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