A masterful late fifteenth-century engraving by Martin Schongauer, depicting the solemn placement of Christ into the tomb with precise line work.

Martin Schongauer, a master of the late Gothic period, produced this engraving during the latter half of the fifteenth century. The composition depicts the moment Christ is placed into the stone sarcophagus, surrounded by grieving figures. Schongauer employs a sophisticated system of hatching and cross-hatching to define the forms, creating a sense of volume and texture within the drapery and the physical presence of the figures.

The scene is tightly organised around the central figure of the Virgin Mary, who leans over the body of Christ. Her posture and the arrangement of the surrounding mourners create a rhythmic flow that directs the viewer's eye across the plate. To the right, a figure supports the legs of Christ, while others observe with expressions of sorrow. The crown of thorns lies discarded in the foreground, a symbolic detail that anchors the narrative.

Schongauer was one of the first printmakers to achieve international recognition, and his technical precision influenced many subsequent artists, including Albrecht Dürer. This work demonstrates his ability to convey emotional weight through line alone. The background features a stark, rocky outcrop and a distant hill with a cross, providing a sense of place without distracting from the primary action. The artist's monogram, M+S, is visible at the bottom centre, a mark of his professional identity. This print is a fine example of the high level of detail achievable through the medium of copperplate engraving in the late fifteenth century, reflecting the shift towards greater naturalism in German art. The clarity of the lines and the balanced composition demonstrate the technical mastery that defined Schongauer's career.