A dramatic 1867 oil painting by Alexandre Cabanel depicting the biblical expulsion of Adam and Eve from the Garden of Eden.

Alexandre Cabanel, a leading figure of the French Academic tradition, painted this work in 1867. It depicts the biblical narrative of the fall of man, focusing on the moment of exile. The composition is divided between the celestial authority above and the human despair below. An angel, brandishing a flaming sword, descends from the clouds to enforce the divine decree, while Adam and Eve are positioned in the lower foreground. Adam sits with his head bowed in shame, and Eve lies prone, her posture suggesting exhaustion and grief.

Cabanel employs the polished technique characteristic of the École des Beaux-Arts. The figures are rendered with anatomical precision, and the lighting is carefully managed to guide the viewer across the canvas. The lush, dark foliage of the Garden of Eden contrasts with the dramatic, illuminated presence of the angel. This work reflects the mid-nineteenth-century preference for large-scale historical and religious subjects, executed with a high degree of finish. The emotional weight of the scene is conveyed through the physical gestures of the figures rather than through overt symbolism. The painting remains a clear example of the technical mastery expected of artists associated with the Paris Salon during the Second Empire. It demonstrates the artist's ability to balance complex narrative elements with a rigorous approach to form and composition.