Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










Edward Burne-Jones's 'The Feast of Peleus' captures a pivotal moment from Greek mythology with Pre-Raphaelite beauty. This fine art print brings classical grandeur and romanticism to any space.
Sir Edward Burne-Jones's 'The Feast of Peleus' is a monumental oil painting, completed between 1872 and 1881, that exemplifies the Aesthetic Movement's fascination with classical mythology and Pre-Raphaelite ideals of beauty. The scene depicts the wedding feast of Peleus and Thetis, disrupted by Eris, the goddess of discord, who casts a golden apple inscribed 'For the Fairest' into the gathering, setting in motion the events that would lead to the Trojan War. Burne-Jones masterfully renders the figures with elongated proportions, serene expressions, and a dreamlike quality, characteristic of his Symbolist style. The composition is rich with detail, from the elaborate draperies and classical architecture to the meticulously rendered faces of the assembled gods and mortals. The colour palette is muted yet luminous, creating an ethereal atmosphere that enhances the painting's otherworldly feel. As a fine art print, 'The Feast of Peleus' brings a touch of classical grandeur and romanticism to any interior. Its intricate details and subtle colours make it a captivating focal point for a living room, study, or hallway, inviting viewers to immerse themselves in the timeless beauty of Burne-Jones's vision.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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