A poignant watercolour study by John Everett Millais, depicting the biblical parable of the Good Samaritan with careful attention to narrative and form.

This work by John Everett Millais depicts the biblical parable of the Good Samaritan. The composition focuses on the moment of rescue, where the Samaritan kneels to support the injured traveller. A donkey stands to the left, waiting to transport the wounded man to safety. In the background, a faint, ghostly figure suggests the presence of others passing by on the road, adding a sense of isolation to the central act of mercy. Millais employs a precise, descriptive technique characteristic of his later period. The use of watercolour and bodycolour allows for a balance between translucent washes and opaque highlights, particularly in the rendering of the Samaritan's red robe and the textures of the rocky path. The artist pays close attention to the physical strain of the figures, capturing the weight of the injured man and the protective posture of his rescuer. The palette is grounded in earth tones, with the striking red of the Samaritan's garment providing a visual anchor for the scene. As a member of the Pre-Raphaelite Brotherhood, Millais maintained a focus on narrative clarity and moral subject matter throughout his career. This piece reflects his ability to translate complex emotional interactions into a contained, illustrative format. The work demonstrates his technical proficiency with water-based media, showing a departure from the hyper-detailed oil paintings of his youth toward a more fluid, expressive style. The figures are rendered with anatomical accuracy, while the surrounding environment remains secondary to the human drama. This print captures the subtle gradations of colour and the delicate brushwork of the original, offering a clear view of the artist's approach to biblical illustration during the mid-Victorian era.