Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





This engraving by William Hogarth, 'The Harlot Beats Hemp in Bridewell Prison', is the fourth plate from his series 'A Harlot's Progress'. The scene depicts Mary Hackabout in Bridewell Prison, forced to beat hemp as hard labour.
William Hogarth's engraving, 'The Harlot Beats Hemp in Bridewell Prison', is the fourth plate from his series 'A Harlot's Progress'. Created in 1732, the series follows the fictional story of Mary Hackabout, a young woman who arrives in London and descends into prostitution. This scene depicts Mary in Bridewell Prison, a house of correction, where she is forced to beat hemp as a form of hard labour. The composition is filled with details that satirise the social conditions of 18th-century London. Mary, dressed in a tattered gown, is surrounded by other inmates, some of whom are engaged in various activities, such as card playing and drinking. The prison interior is bleak, with stone walls and a high, beamed ceiling. A sign on the wall reads, 'Better to Work than Stand thus', a sardonic commentary on the prison's supposed purpose of rehabilitation. Hogarth uses his characteristic attention to detail to create a scene that is both humorous and critical, offering a glimpse into the harsh realities of life for the poor and marginalised in Georgian England. The print is a commentary on morality, social justice, and the consequences of vice.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Invented the comic strip three centuries early, lobbied Parliament for copyright law, and painted a shrimp girl that anticipated Impressionism by a hundred years.
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