A 1978 etching by Richard Hamilton, blending a domestic bedroom scene with a detailed celestial map, inspired by James Joyce's Ulysses.

The Heaventree of Stars is a sophisticated print by Richard Hamilton, a figure associated with the origins of British Pop Art. Created in 1978, this work demonstrates the artist's interest in combining disparate visual languages: the domestic intimacy of a bedroom scene and the vast, scientific mapping of the night sky. The title is a direct reference to James Joyce's Ulysses, specifically the 'Ithaca' episode, where the protagonist Bloom contemplates the cosmos from his bed. In the foreground, two figures lie beneath a patterned quilt, their forms rendered with a soft, almost photographic quality. The bed frame provides a rigid, linear contrast to the dreamlike atmosphere. Above them, the composition transitions into a detailed celestial chart. Hamilton labels specific constellations, such as Ursa Major and Leo, using precise typography that mimics the aesthetic of an astronomical atlas. This juxtaposition creates a tension between the mundane reality of sleep and the infinite scale of the universe. Technically, the work employs etching and aquatint to achieve a range of tonal values. The dark, atmospheric background of the sky is achieved through fine graining, allowing the stars to appear as luminous points of light. Hamilton's approach to printmaking is methodical, reflecting his background in industrial design and his analytical approach to image construction. The print invites the viewer to consider the intersection of human experience and scientific observation. By placing the viewer in the position of the sleeper, Hamilton bridges the gap between the internal world of the individual and the external reality of the cosmos. The work remains a clear example of his ability to synthesise literary references, technical precision, and conceptual inquiry into a single, cohesive image.