A detailed sixteenth-century engraving by Johann Sadeler I, depicting the goddesses Juno, Venus, and Pallas Athena from the Judgement of Paris.

This engraving by Johann Sadeler I depicts the three goddesses central to the myth of the Judgement of Paris: Juno, Venus, and Pallas Athena. The composition presents the figures in a tight, bust-length arrangement, focusing on their distinct attributes and expressions. Juno, positioned on the left, wears a crown and pearls, her profile turned towards the central figure. Venus occupies the centre, her gaze directed outward, while Pallas Athena, on the right, is identified by her plumed helmet and martial attire. The work is based on a design by the painter Jan van Aachen, as indicated by the inscription 'Ioan. ab Ach invet.' at the base.

Sadeler, a member of a prominent family of engravers from Brussels, demonstrates the technical precision characteristic of late sixteenth-century Flemish printmaking. The use of cross-hatching and varied line weights creates a sense of volume and texture, particularly in the rendering of the drapery, metallic surfaces of the armour, and the soft modelling of the skin. The background is filled with a fine, uniform cross-hatched pattern, which pushes the figures forward and creates a clear separation between the subjects and the negative space. The inscription at the bottom identifies the figures and the contributors, noting the privilege granted by the Holy Roman Emperor. This print reflects the period's interest in classical mythology and the collaborative nature of print production, where a designer and an engraver worked in tandem to produce high-quality reproductions for a learned audience. The work remains a clear example of the technical skill applied to mythological subjects during the Northern Mannerist period, prioritising clarity of form and classical iconography.