The Latest News - Paul Gavarni
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A classic lithograph by Paul Gavarni depicting two women in a candid moment of conversation, capturing the social observation typical of his work.
Paul Gavarni, born Sulpice Guillaume Chevalier, was a prolific French caricaturist and illustrator. His work frequently captured the social dynamics of nineteenth-century Paris. This lithograph, titled The Latest News, depicts two women engaged in conversation. The figures wear traditional head coverings and simple garments, suggesting a working-class background. One woman appears to be sharing information, her hand raised in a gesture of emphasis, while the other listens with a focused expression.
Gavarni possessed a keen eye for human behaviour. He often used his art to document the daily lives of Parisians, from the bourgeoisie to the urban poor. His draughtsmanship is characterised by fluid, economical lines that convey character and mood without unnecessary detail. The composition is straightforward, focusing entirely on the interaction between the two subjects. By stripping away background elements, Gavarni directs the viewer to the subtle expressions and body language of the figures.
This print reflects the artist's interest in the anecdotal nature of urban life. His work appeared regularly in periodicals such as Le Charivari, where he provided commentary on the fashions, habits, and social shifts of his time. Unlike some of his contemporaries who focused on harsh political satire, Gavarni often leaned towards a more observational, sometimes humorous, depiction of human foibles. The lithographic process allowed for a soft, pencil-like quality in the lines, which adds a sense of immediacy to the scene. It captures a fleeting moment of gossip or exchange, preserved through the artist's skilled hand. This piece offers a glimpse into the social fabric of mid-nineteenth-century France, presented with the clarity and wit that defined Gavarni's career.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Latest News - Paul Gavarni
Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like