The Monk - Ferdinand Hodler - Poster

The Monk - Ferdinand Hodler

Sale price$29.00
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
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Painted in 1914, Ferdinand Hodler's 'The Monk' captures the grandeur of the Swiss Alps with bold brushstrokes and a simplified colour palette. This landscape painting emphasises the mountain's imposing presence under a blue sky.

Ferdinand Hodler, a Swiss painter born in 1853, is known for his Symbolist and Expressionist works. He developed a style he termed 'Parallelism', which involved arranging figures and forms in symmetrical patterns to convey ideas of unity and order. Hodler's work often explores themes of nature, mortality, and national identity. He was also influenced by Art Nouveau. 'The Monk', painted in 1914, depicts a mountain under a blue sky. The mountain's rocky face is covered in snow, with visible glaciers. Hodler uses bold brushstrokes and a simplified colour palette to capture the grandeur of the alpine environment. The composition emphasises the mountain's imposing presence, conveying a sense of scale and permanence. The painting is signed and dated in the lower right corner.

Crafted for a Lifetime

  • Premium materials

    Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.

  • Museum-grade prints

    12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.

  • Crafted in the UK

    Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.

  • Ready to hang

    Each frame is sealed with rigid backing and fixings attached, no extra effort required.

Crafted for a Lifetime — frame exploded view

Find the finish that fits your home

Select from our premium printing options to bring your artwork to life

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Fine Art Poster

Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

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Museum Quality Poster

Our Master's Edition 250gsm archival paper, in off-white and uncoated, offers museum-quality for art enthusiasts seeking a luxurious way to enjoy world-class artworks.

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Fine Art Framed

The same 200gsm fine art paper and 12-colour giclée process as our museum posters, mounted in a solid wood frame with UV acrylic glaze and rigid backing. Ready to hang.

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Standard Wood Frame

Classic 200gsm premium matte paper with 8-colour giclée printing, set in a durable wooden frame with lightweight acrylic glaze. Ready to hang.

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Canvas

Gallery-wrapped slim canvas, hand-stretched for clean edges. Adds depth and texture for a painterly finish. Delivered ready to hang.

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Framed Canvas

Our premium finish, a richly textured canvas set in an elegant floating wood frame. Combines depth, texture, and craftsmanship for a gallery-worthy presentation. Delivered ready to hang.

What our customers say

Real reviews from real customers

jayne-review-image
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
WhatsApp Image 2025-08-22 at 17.52.11
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
nikki
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
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Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk

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Ferdinand Hodler

Ferdinand Hodler

losing his father and brothers to tuberculosis by eight, developing Parallelism as a theory of visual order, and designing Swiss banknotes with woodcutters instead of statesmen