A genre painting by Pietro Longhi depicting a group of Venetians gathered around a popular eighteenth-century peep-show box.

Pietro Longhi, a Venetian painter, is recognised for his observational depictions of daily life in eighteenth-century Venice. In this work, titled The New World, he captures a scene involving a popular form of public entertainment. The title refers to a peep-show box, a common attraction in the period, where viewers would look through lenses to see images of distant or exotic locations.

The composition focuses on a group of figures gathered in a dimly lit interior. A man in a blue coat gestures towards the unseen apparatus, while others, including women in traditional Venetian shawls and masks, observe the spectacle. Longhi employs a muted palette, allowing the focus to remain on the social interaction and the curiosity of the participants. The figures are rendered with a focus on contemporary dress and the subtle nuances of Venetian social customs.

Longhi often documented the leisure activities of the Venetian public, ranging from the aristocracy to the common folk. His work provides a visual record of the city's social fabric during the final decades of the Republic. The painting avoids grand historical narratives, opting instead for a quiet, documentary approach to the mundane experiences of his contemporaries. The lighting is soft, creating a sense of intimacy within the space, while the figures are arranged to suggest a narrative of shared discovery. This piece is representative of his broader body of work, which frequently explored the intersection of public entertainment and private social life in Venice.