A refined stipple engraving by Francesco Bartolozzi, depicting an allegorical scene of a nymph crowning a bust of William Shakespeare.

This stipple engraving, executed by Francesco Bartolozzi in 1782, presents a highly refined allegorical scene. The composition centres on a winged Nymph of Immortality, who reaches upward to place a star-crowned laurel wreath upon a bust of William Shakespeare. The scene is populated by putti, or loves, who assist in the ceremonial act, reinforcing the theme of artistic veneration. To the left, a torch rests against the pedestal, while a mask lies near the base, symbols often associated with the dramatic arts and the enduring nature of the playwright's work.

Bartolozzi, an Italian engraver who spent much of his career in London, was a master of the stipple technique. This method involves the use of dots rather than lines to create subtle gradations of tone, allowing for a soft, painterly quality that mimics the appearance of chalk drawings. The sepia-toned ink enhances this effect, providing a warm, monochromatic finish that was popular in the late eighteenth century. The oval framing device focuses the viewer's attention on the central interaction between the nymph and the bust, while the background features a classical landscape with a waterfall, adding depth to the narrative space.

The print includes an inscription at the base, which provides a poetic tribute to Shakespeare, further situating the work within the context of eighteenth-century literary appreciation. The technical precision of the engraving, particularly in the rendering of the drapery and the delicate features of the figures, demonstrates the high level of craftsmanship associated with Bartolozzi's studio. This piece is a representative example of the period's fascination with classical allegory and the elevation of literary figures to a status of divine or immortal recognition.