The Old, Old Story - John William Godward
Archival giclée
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Description
A 1903 oil painting by John William Godward depicting a romantic encounter between two figures in a classical setting.
John William Godward, a prominent figure in the late Victorian era, produced this work in 1903. The painting depicts a scene of courtship set within a classical architectural framework. A woman sits upon a marble bench, draped in red and purple robes, while a man leans over the structure to engage her attention. The composition relies on the artist's characteristic attention to texture, particularly in the rendering of the animal skins, the smooth marble surfaces, and the folds of the fabric.
Godward was associated with the late phase of the Neoclassical movement in Britain. His work often features figures in Greco-Roman attire, placed in settings that evoke an idealised antiquity. The title suggests a timeless quality to the interaction between the two figures, positioning the scene as a universal narrative of human affection. The artist employs a precise technique, ensuring that the light reflects realistically off the polished stone and the soft materials of the clothing. The background, featuring a glimpse of the sea and distant hills, provides a sense of depth and atmospheric perspective, contrasting with the immediate, tactile details of the foreground.
This piece reflects the academic training of the period, which prioritised technical proficiency and the study of historical subjects. Godward remained dedicated to this aesthetic throughout his career, even as other movements began to dominate the art world. The painting is a representative example of his focus on domestic, romanticised classical life, where the emphasis is placed on the quietude of the moment and the careful arrangement of decorative elements. The inclusion of the tiger skin adds a touch of exoticism, a common trope in the art of the time, which serves to frame the figures and draw the eye toward the centre of the interaction.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Old, Old Story - John William Godward
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