A pair of detailed etchings by George Cruikshank depicting key moments from the Cinderella fairy tale, originally created for his 1854 Fairy Library series.

This print features two distinct scenes from the classic fairy tale, rendered in the characteristic etching style of George Cruikshank. The upper panel depicts the moment the Prince discovers the glass slipper left behind on the palace floor, while the lower panel captures Cinderella in her flight from the royal residence as the clock strikes midnight. Cruikshank, a prolific illustrator of the nineteenth century, brings a sense of theatrical movement to these compositions. His use of cross-hatching and fine line work creates depth within the architectural settings, from the grand ballroom to the stone-walled corridors of the palace.

These illustrations were produced for the 'Fairy Library' series, a collection of traditional tales that Cruikshank both edited and illustrated. His approach to these stories often included a moralising tone, which was common in Victorian literature of the period. The figures are animated, with Cinderella’s dress captured in mid-motion and the Prince leaning forward in a gesture of sudden realisation. The inclusion of small details, such as the mice scurrying near the palace gates in the lower scene, demonstrates the artist's attention to the narrative elements of the story. The work reflects the technical precision of mid-Victorian printmaking, where the artist's hand is visible in every stroke of the needle. This piece offers a glimpse into the visual culture of the era, where fairy tales were reimagined through the lens of contemporary illustration techniques. The composition balances the opulence of the ballroom with the hurried, shadowed atmosphere of the palace exit, providing a complete visual summary of the story's climax.