A delicate red chalk drawing depicting the biblical miracle of the raising of Tabitha, rendered with the grace and technical precision of the Dutch Rococo.

This red chalk drawing by Louis Fabritius Dubourg depicts the biblical narrative of the raising of Tabitha, also known as Dorcas, by the Apostle Peter. The scene is set within a domestic interior, where the deceased woman lies upon a bed, surrounded by a group of mourning figures. Peter stands to the right, his gesture directed toward the bed, while other figures kneel or stand in various states of prayer and observation. The composition follows the conventions of eighteenth-century Dutch religious art, focusing on the emotional weight of the miracle.

Dubourg employs a delicate, linear technique characteristic of red chalk studies from this period. The soft, monochromatic medium allows for subtle gradations of light and shadow, which define the folds of the drapery and the expressions of the figures. The artist avoids heavy outlines, preferring instead to build form through light hatching and gentle pressure. This approach creates a sense of atmosphere within the room, drawing the eye toward the central interaction between the Apostle and the recumbent figure.

As a Dutch artist active during the mid-eighteenth century, Dubourg was well-versed in the traditions of historical and biblical illustration. His work often reflects the influence of contemporary European styles, incorporating a sense of grace and movement that departs from the more rigid compositions of the previous century. The drawing serves as an example of the preparatory practices of the era, where artists used chalk to explore composition and narrative flow before committing to a final painting. The work remains a study of human reaction to the miraculous, captured with a restraint that is typical of the artist's broader body of work.