The Red Turban - Max Pechstein
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Description
A bold Expressionist portrait by Max Pechstein, featuring a figure in a red turban rendered with simplified forms and strong colour contrasts.
Max Pechstein, a member of the Die Brücke group, produced this work during a period of intense experimentation with colour and form. The painting depicts a female figure wearing a red turban, positioned against a patterned backdrop. Beside her, a bowl of fruit sits upon a table. The composition relies on the contrast between the warm, golden tones of the figure's skin and the cooler, flat green of the wall.
Pechstein employs a direct, unrefined application of paint that characterises the German Expressionist approach. The figure is rendered with simplified anatomy, prioritising emotional impact over anatomical precision. The red turban provides a visual anchor, drawing the eye to the upper portion of the canvas, while the blue bowl offers a secondary point of interest. The background pattern adds a decorative element that flattens the pictorial space, a common technique in the work of the Die Brücke artists who sought to move away from traditional perspective.
This piece reflects the interest in non-Western art and primitive forms that influenced Pechstein throughout his career. The bold outlines and non-naturalistic colour choices are typical of his output from the early 1910s. By rejecting academic standards of beauty, Pechstein creates a direct, immediate image. The work captures the tension between the domestic setting and the raw, expressive power of the brushwork. It remains a clear example of the stylistic shift occurring in early twentieth-century German art, where the focus moved toward the subjective experience of the artist rather than the objective representation of the subject.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Red Turban - Max Pechstein
Artist Biography
Max Pechstein
He was born in Zwickau in 1881 and apprenticed as a decorator from 1896 to 1900 before studying at the Dresden art school. Erich Heckel invited him to join Die Brucke in 1906. Contact with Matisse pushed his palette toward jarring, unmixed colour, but his compositions retained a warmth and legibility that made them easier to sell than the work of his peers.
At the outbreak of the First World War he was interned in Japan and returned to Germany via Shanghai, Manila and New York. He saw action at the Somme and suffered a nervous breakdown. In 1918 he co-founded the Novembergruppe, a left-wing artists' group that demanded artist involvement in postwar social policy.
The Nazis classified his work as degenerate. Over three hundred paintings were seized from German museums. He was banned from exhibiting and dismissed from the Prussian Academy. He produced 421 lithographs, 315 woodcuts and linocuts, and 165 etchings over his career, making him one of the most prolific printmakers of the Expressionist generation. After the war he was rehabilitated, given a professorship in Berlin and elected to the Academy of Arts. He died in Berlin in 1955, at seventy-three.
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