Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Sacrifice of Isaac - Pieter de Grebber
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
Pieter de Grebber's 'The Sacrifice of Isaac' is a dramatic Baroque masterpiece depicting the biblical scene with intense emotion and masterful use of light and shadow. A powerful and timeless addition to any art collection.
Pieter de Grebber's dramatic depiction of 'The Sacrifice of Isaac' captures a pivotal moment from the Book of Genesis. Abraham, poised to sacrifice his son Isaac at God's command, is interrupted by an angel, signifying divine intervention and the sparing of Isaac's life. De Grebber, a prominent figure in the Dutch Golden Age, masterfully employs chiaroscuro, the dramatic contrast of light and shadow, to heighten the emotional intensity of the scene. The figures are rendered with a naturalistic yet idealised quality, typical of the Baroque style. Abraham's muscular physique and anguished expression convey the inner turmoil of a man torn between obedience and paternal love. Isaac, depicted as a vulnerable youth, lies passively on the altar, unaware of his impending fate. The composition is carefully arranged to draw the viewer's eye to the central figures, while the surrounding landscape remains subdued, further emphasising the human drama unfolding before us. As a fine art print, this work brings a touch of historical gravitas and artistic mastery to any space. Its rich colours and dynamic composition make it a captivating focal point for a living room, study, or hallway. The painting's timeless theme of faith, sacrifice, and redemption resonates with viewers across generations, making it a meaningful and thought-provoking addition to any art collection.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
The Sacrifice of Isaac - Pieter de Grebber
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Pieter De Grebber
De Grebber wrote down his rules for painting. His 1649 treatise laid out eleven principles for classicist painters, making him one of the few Dutch Golden Age artists to codify painting theory. The rules reflected his practice: Catholic devotional painting in a Protestant country, blending Rubens's colour with Rembrandt's light.
He was born in Haarlem around 1600 into a Catholic artistic family, trained by his father and by Hendrick Goltzius. He visited Antwerp in 1618 and absorbed Rubens firsthand. His commissions from Stadholder Frederik Hendrik for the palaces at Honselaarsdijk, Noordeinde and Huis ten Bosch were among the most prestigious in the Republic.
He was born in Haarlem around 1600 into a Catholic artistic family, trained by his father and by Hendrick Goltzius. He visited Antwerp in 1618 and absorbed Rubens firsthand. His commissions from Stadholder Frederik Hendrik for the palaces at Honselaarsdijk, Noordeinde and Huis ten Bosch were among the most prestigious in the Republic.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From $169
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From $59
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From $175
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Pieter de Grebber
De Grebber wrote down his rules for painting. His 1649 treatise laid out eleven principles for classicist painters, making him one of the few Dutch Golden Age artists to codify painting theory. The rules reflected his practice: Catholic devotional painting in a Protestant country, blending Rubens's colour with Rembrandt's light.
He was born in Haarlem around 1600 into a Catholic artistic family, trained by his father and by Hendrick Goltzius. He visited Antwerp in 1618 and absorbed Rubens firsthand. His commissions from Stadholder Frederik Hendrik for the palaces at Honselaarsdijk, Noordeinde and Huis ten Bosch were among the most prestigious in the Republic.
He was born in Haarlem around 1600 into a Catholic artistic family, trained by his father and by Hendrick Goltzius. He visited Antwerp in 1618 and absorbed Rubens firsthand. His commissions from Stadholder Frederik Hendrik for the palaces at Honselaarsdijk, Noordeinde and Huis ten Bosch were among the most prestigious in the Republic.
You May Also Like