A detailed seventeenth-century etching by Simon Frisius depicting a scene from the parable of the Good Samaritan, featuring a rural inn and river landscape.

This etching by Simon Frisius depicts a scene from the parable of the Good Samaritan. The composition focuses on a rural inn situated near a river, where a traveller arrives on horseback. Frisius, a significant figure in the development of Dutch printmaking, employs precise line work to define the textures of the timber-framed building, the foliage of the trees, and the ripples on the water. The scene is typical of early seventeenth-century Dutch print culture, which often combined biblical narratives with the detailed observation of the local countryside.

The artist uses a variety of hatching techniques to create depth and shadow, particularly in the dense canopy of the central tree and the shaded areas of the inn. The inclusion of a small boat on the river and distant hills provides a sense of scale and atmosphere. The Latin inscription at the bottom, 'LVC. 10. V. 34. Iumento imposito in hospitium deducit', directly references the biblical source, translating to 'He put him on his own animal and brought him to an inn'.

Frisius was known for his technical skill in etching, a medium that allowed for a more fluid and spontaneous line compared to the rigid requirements of engraving. This work demonstrates his ability to integrate human figures into a natural setting, creating a balanced view that draws the eye from the foreground activity toward the tranquil river in the distance. The print reflects the period's interest in narrative art, where the moral lesson is presented through the lens of everyday life. The attention to architectural detail and the natural environment shows the influence of contemporary Dutch painters who sought to capture the character of their surroundings. This piece remains a clear example of the technical proficiency and stylistic conventions of the Dutch Golden Age.