A haunting 1918 lithograph by German Expressionist Walter Gramatté, depicting a weary figure with flowers in a dark, atmospheric setting.

Walter Gramatté produced this lithograph in 1918, a period defined by the aftermath of the First World War and the personal health struggles he faced. The work captures a figure in a state of physical and emotional exhaustion. The subject sits upright in bed, his frame gaunt and his expression heavy with fatigue. His hands rest upon a cluster of flowers, creating a contrast between the fragility of the blooms and the weary state of the man.

Gramatté employs a dark, moody aesthetic typical of German Expressionism. The background is rendered in deep, dense blacks, which push the figure forward and create a sense of claustrophobia. The lines are gestural and rough, reflecting the artist's focus on internal psychological states rather than objective reality. The composition is tight, focusing entirely on the interaction between the man and the floral arrangement, which serves as a quiet, perhaps melancholic, presence in the room.

This print demonstrates the artist's ability to convey human vulnerability through stark tonal contrasts. The lithographic process allows for a soft, charcoal-like texture that enhances the sombre mood of the scene. Gramatté often explored themes of illness, mortality, and the human condition, and this piece is a direct reflection of those concerns. The inclusion of his signature and the title in the lower margin provides a personal touch, grounding the work in the artist's own experience. It is a direct, unadorned observation of suffering, rendered with a raw honesty that characterises much of his graphic output from the late 1910s.