A sixteenth-century Flemish engraving depicting a biblical scene of forced labour, rendered with precise line work and period hand-colouring.

This engraving by Johann Sadeler I depicts a scene from the Book of Exodus, illustrating the oppression of the Israelites under Egyptian rule. The composition follows the narrative of forced labour, showing figures engaged in brick-making and transport under the threat of violence. Sadeler, a member of a prominent family of engravers from Brussels, utilised the technical precision characteristic of the late sixteenth-century Flemish school. The work features a clear foreground action, where taskmasters wield whips against the labourers, set against a background of architectural structures and a distant fire.

The application of hand-colouring adds a distinct layer to the print, typical of the period when such works were often bound into illustrated Bibles or devotional volumes. The figures display the elongated proportions and dynamic poses associated with Northern Mannerism. The inclusion of Latin text at the base provides the scriptural context, while the French inscription below offers a contemporary interpretation of the events. The scene balances the harsh reality of the subject matter with the decorative conventions of the era, such as the rolling hills and the fortified town in the distance.

Johann Sadeler I was active in Antwerp, Cologne, and Munich, and his output was widely circulated across Europe. This print demonstrates his ability to translate complex narrative themes into accessible visual formats. The attention to detail, from the texture of the baskets to the expressions of the figures, reflects the high standards of printmaking during this period. The work remains a clear example of how biblical history was visualised for a sixteenth-century audience, combining technical skill with theological instruction.