Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Triumph of Alexander the Great - Gustave Moreau
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A grand, atmospheric depiction of Alexander the Great by French Symbolist painter Gustave Moreau, featuring dreamlike architecture and a muted, earthy palette.
Gustave Moreau, a central figure in the French Symbolist movement, produced this work during the latter half of his career. The composition depicts a grand, semi-mythical vision of Alexander the Great, set within an architectural environment that defies historical accuracy. Moreau draws upon a synthesis of Eastern and Western motifs, creating a scene that feels more dreamlike than documentary. The towering, pale structures in the background suggest a city of immense scale, rendered with a delicate, almost ethereal touch that contrasts with the darker, more grounded foreground.
Alexander sits enthroned on the right, a small figure amidst the vastness of the architecture. The scene is populated by numerous figures, yet they remain secondary to the overwhelming presence of the environment. Moreau employs a technique of layering paint to achieve a jewel-like quality, particularly in the treatment of the buildings and the surrounding cliffs. The palette is dominated by earthy ochres, muted browns, and pale, ghostly whites, which serve to distance the viewer from the reality of the subject matter. This approach is characteristic of Moreau, who often prioritised the creation of a mood or a psychological state over the precise depiction of a historical event.
By focusing on the sheer scale of the architecture and the atmospheric quality of the light, Moreau invites the viewer to contemplate the nature of power and the passage of time. The work does not aim to narrate the triumph in a traditional sense, but rather to evoke the feeling of a distant, legendary past. The composition is dense with detail, yet the overall effect is one of quiet contemplation. It remains a primary example of how Moreau utilised classical themes to explore his own internal, imaginative world, free from the constraints of contemporary realism.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
The Triumph of Alexander the Great - Gustave Moreau
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Gustave Moreau
Moreau produced over fifteen thousand works and converted his own house into a museum to hold them. When he died in 1898, the building at 14 rue de la Rochefoucauld in Paris became the Musee Gustave Moreau, exactly as he had planned. Eight thousand paintings, watercolours and drawings hung floor to ceiling in the rooms where he had lived and worked.
He was born in Paris in 1826, a sickly, solitary child who drew compulsively. He trained at the Ecole des Beaux-Arts and fell under the influence of Theodore Chasseriau, an eclectic painter whose depictions of enigmatic sea goddesses left a permanent mark. Chasseriau's death in 1856 shook Moreau badly enough to send him to Italy for two years, where he copied Mantegna, Carpaccio and the Venetians, filling notebooks with studies that fed his work for decades.
His breakthrough came at the 1864 Salon with Oedipus and the Sphinx, a painting that fused classical mythology with a strange, jewelled intensity that critics struggled to categorise. He became the foremost Symbolist painter, working in a style guided by what has been called Neo-Platonist faith: a belief that the physical world was imperfect and that art could capture something closer to divine vision. He never married, regarding the career of an artist as "a true priesthood", though he maintained a discreet relationship with Alexandrine Dureux for decades, subsidising an apartment for her near his family home.
As a teacher at the Ecole des Beaux-Arts, Moreau proved unexpectedly open-minded. His students included Henri Matisse and Georges Rouault, both of whom credited his insistence on personal expression over academic formula. Andre Breton and Salvador Dali later claimed his Symbolist imagery as a direct precursor to Surrealism.
He was born in Paris in 1826, a sickly, solitary child who drew compulsively. He trained at the Ecole des Beaux-Arts and fell under the influence of Theodore Chasseriau, an eclectic painter whose depictions of enigmatic sea goddesses left a permanent mark. Chasseriau's death in 1856 shook Moreau badly enough to send him to Italy for two years, where he copied Mantegna, Carpaccio and the Venetians, filling notebooks with studies that fed his work for decades.
His breakthrough came at the 1864 Salon with Oedipus and the Sphinx, a painting that fused classical mythology with a strange, jewelled intensity that critics struggled to categorise. He became the foremost Symbolist painter, working in a style guided by what has been called Neo-Platonist faith: a belief that the physical world was imperfect and that art could capture something closer to divine vision. He never married, regarding the career of an artist as "a true priesthood", though he maintained a discreet relationship with Alexandrine Dureux for decades, subsidising an apartment for her near his family home.
As a teacher at the Ecole des Beaux-Arts, Moreau proved unexpectedly open-minded. His students included Henri Matisse and Georges Rouault, both of whom credited his insistence on personal expression over academic formula. Andre Breton and Salvador Dali later claimed his Symbolist imagery as a direct precursor to Surrealism.
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Fine Art Framed
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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