The Waterfalls, Pistil Mawddach, North Wales - Samuel Palmer
Archival giclée
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Description
A detailed 1836 watercolour study of the Pistil Mawddach waterfall in North Wales by Samuel Palmer, capturing the dramatic natural terrain.
Samuel Palmer created this work during his 1836 tour of North Wales. The composition captures the Pistil Mawddach waterfall, a site that attracted many artists of the period due to the dramatic geological formations and the surrounding dense woodland. Palmer employs a combination of watercolour and gouache to render the textures of the rock face and the cascading water. The application of paint allows for a degree of detail in the foliage while maintaining the atmospheric quality of the Welsh climate.
The scene is framed by dark, overhanging trees, which guide the viewer's eye toward the central cascade. A small figure is positioned in the lower left, providing a sense of scale against the imposing natural environment. Unlike his earlier, more visionary works from the Shoreham period, this piece reflects a shift toward a more observational approach to nature. The palette is dominated by earthy tones, browns, and ochres, punctuated by the lighter, cooler whites of the falling water.
Palmer's technique here demonstrates his ability to balance precise observation with the dramatic sensibilities typical of British Romantic art. The work remains a record of his travels and his engagement with the British countryside. It avoids the idealised or mystical qualities found in his earlier output, focusing instead on the physical reality of the Welsh terrain. The print captures these nuances, preserving the original brushwork and the layered application of pigment that defines the composition.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Waterfalls, Pistil Mawddach, North Wales - Samuel Palmer
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