A monumental allegorical painting by Edward Burne-Jones, depicting the goddess Fortuna and the cyclical nature of human fate through three bound figures.

This work depicts the classical allegory of Fortuna, the goddess of chance, who stands beside a massive, rotating wheel. Bound to this wheel are three male figures, representing the varying states of human existence: the king, the slave, and the poet. Burne-Jones employs a muted, monochromatic palette to focus the viewer on the sculptural quality of the figures and the heavy, rhythmic folds of the drapery. The composition is vertical and monumental, reflecting the artist's interest in Italian Renaissance masters, particularly Michelangelo, whose influence is visible in the muscular, idealised anatomy of the bound men. Fortune herself is portrayed as a stoic, detached observer. Her expression is one of melancholy, suggesting that the turning of the wheel is an inevitable, impersonal force rather than a malicious act. The figures are arranged in a tight, vertical stack, which emphasises the crushing weight of the wheel and the cyclical nature of human fate. The background is minimal, allowing the interplay of light and shadow to define the forms. This painting is a characteristic example of the artist's later period, where he moved away from the narrative complexity of his earlier Arthurian subjects towards more philosophical and symbolic themes. Burne-Jones spent several years developing this composition, creating numerous studies before completing the final oil version. The work captures the tension between human ambition and the indifferent mechanics of destiny. By stripping away extraneous detail, the artist forces a confrontation with the gravity of the subject matter. The figures appear trapped in a state of perpetual motion, yet they remain frozen in time, a hallmark of the artist's approach to mythological storytelling. This print captures the subtle tonal gradations and the precise draughtsmanship that define the original canvas, offering a clear view of the artist's technical control.