Things on an iron tray on the floor - Grace Cossington Smith
Archival giclée
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Description
A modernist still life by Grace Cossington Smith, capturing domestic objects on an iron tray with a focus on light and colour.
Grace Cossington Smith, a pioneer of Australian Modernism, produced this work during a period when she focused on the domestic sphere. The composition captures a collection of everyday objects arranged upon an iron tray, positioned directly on the floor. By adopting a high viewpoint, the artist flattens the perspective, allowing the shapes and colours of the vessels to interact across the surface of the tray.
The painting demonstrates the artist's interest in the way light interacts with various surfaces. The metallic sheen of the tray, the glass of the bottles, and the ceramic forms are rendered with distinct brushwork. Cossington Smith uses a palette that balances warm, golden tones in the surrounding fabric with cooler, lilac and blue reflections on the objects themselves. This approach to colour creates a sense of unity within the domestic scene.
Cossington Smith was known for her ability to find visual interest in the mundane. Rather than focusing on grand subjects, she examined the formal qualities of light, colour, and shape within her own home. This work reflects her broader practice of using post-impressionist techniques to interpret the Australian environment. The application of paint is deliberate, with visible strokes that build the form of each object. The tray acts as a stage for these items, grounding them within the composition while the surrounding drapery provides a soft, textured contrast to the hard edges of the metal and glass. Her work from this era is recognised for its clarity and its departure from traditional academic painting, favouring a more subjective and rhythmic interpretation of reality.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Things on an iron tray on the floor - Grace Cossington Smith
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