A detailed 1646 etching by Wenceslaus Hollar, portraying Thomas Howard, Earl of Arundel, in formal military armour.

This etching by Wenceslaus Hollar depicts Thomas Howard, the 21st Earl of Arundel, a figure of significant influence in seventeenth-century British art collecting. Hollar, a Bohemian printmaker who spent much of his career in England, was closely associated with the Earl, often documenting his vast collection of antiquities and paintings. The portrait captures the Earl in half-length, dressed in polished plate armour, which reflects the light with precise, controlled hatching. His hand rests upon a helmet, while a baton is held firmly in his other hand, symbols of his military rank and authority. The composition is formal and restrained, typical of the period's aristocratic portraiture. Behind the subject, a classical column provides a sense of architectural stability, grounding the figure within a traditional setting. The lower margin contains an extensive Latin inscription, detailing the Earl's titles and positions, a common feature in seventeenth-century print culture that served to identify the sitter and confirm his social standing. Hollar's technical proficiency is evident in the rendering of the metal surfaces and the subtle modelling of the Earl's face. The etching process allows for a crispness of line that defines the textures of the armour against the softer, more atmospheric background. This work provides a clear view into the visual language of the English court during the mid-seventeenth century. It is a document of both the individual and the era, produced by an artist whose output remains a primary source for historians studying the visual culture of the Stuart period. The print demonstrates the precision required in early modern printmaking, where every stroke contributes to the overall clarity of the image.