Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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An allegorical title page for Jan van Call's topographical series, featuring classical figures and drafting tools, etched in the Dutch Golden Age style.
This etching serves as the title page for the collection titled Admirandorum Quadruplex Spectaculum, a series of topographical views by the Dutch artist Jan van Call (I). The composition follows the conventions of late seventeenth-century printmaking, employing classical allegory to frame the subject matter. At the centre, a stone plinth bears the Latin title, providing a solid foundation for the surrounding figures. A bust of a man, likely a portrait of the artist or a patron, rests atop the plinth, flanked by allegorical figures that represent the arts of drawing and observation.
To the left, a seated figure holds a stylus and drawing tools, while a second figure behind plays a trumpet, perhaps symbolising the proclamation of the artist's work. On the right, a contemplative figure holds a tablet, suggesting the scholarly nature of the topographical documentation contained within the volume. The inclusion of a set square and compass on the ground reinforces the mathematical precision required for architectural and geographical rendering. The background features a subtle, sketch-like suggestion of a natural environment, contrasting with the structured, formal arrangement of the foreground elements.
Petrus Schenk, a prominent publisher in Amsterdam, is credited with the execution and publication of this print, as noted in the lower margin. The work demonstrates the technical proficiency of the period, with fine hatching used to create volume in the drapery and depth in the shadows. This print provides insight into the presentation of topographical works during the Dutch Golden Age, where scientific accuracy was often presented through the lens of classical tradition. It remains a clear example of the collaborative nature of print production in the Netherlands, where artists and publishers worked in tandem to produce high-quality volumes for a discerning public.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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