Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Tric Trac Players under an Arbor - Adriaen van Ostade
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
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Description
A detailed ink and wash drawing by Adriaen van Ostade depicting a group of men playing tric-trac in a rustic outdoor setting.
Adriaen van Ostade was a central figure in the Dutch Golden Age, known for his depictions of peasant life. This work, executed in pen and brown ink with grey wash, captures a social scene under an arbor. The composition focuses on a group of men engaged in a game of tric-trac, a precursor to backgammon. Van Ostade uses light and shadow to define the space, creating a sense of depth within the rustic setting.
The figures are rendered with characteristic attention to posture and gesture. One man stands, observing the game, while others sit at a wooden table. A dog rests near the entrance of the building, adding a domestic detail to the scene. The architecture, with its thatched roof and stone walls, provides a grounded context for the activity. The wash technique allows for subtle transitions in tone, giving the drawing a tactile quality that suggests the textures of wood, stone, and fabric.
Van Ostade often returned to themes of tavern life and leisure. His work provides a window into the social habits of the seventeenth-century Dutch populace. By focusing on the mundane, he documents the everyday interactions of his contemporaries. The drawing demonstrates his ability to organise complex groups within a confined space, maintaining clarity through precise line work and controlled application of wash. This piece reflects the artist's interest in human behaviour and his technical proficiency in drawing, a medium he used both for preparatory studies and as a finished product for collectors. The scene remains a clear example of the genre tradition, where the focus is on the observation of life rather than idealised subjects.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Tric Trac Players under an Arbor - Adriaen van Ostade
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Adriaen Van Ostade
In 1672, the Year of Disaster, Van Ostade packed his belongings and tried to flee Haarlem for Lubeck. He got as far as Amsterdam, where the art collector Konstantyn Sennepart talked him into staying. He remained in the city for a time, producing a series of coloured drawings in Sennepart's house, then returned to Haarlem. He had been there his entire life and would stay until the end.
He was born in Haarlem in 1610, the eldest son of a weaver from the hamlet of Ostade near Eindhoven. He and his younger brother Isaack (also a painter) adopted "van Ostade" as a professional name. Both studied under Frans Hals, though neither absorbed much of Hals's style. The stronger influence on Adriaen was Adriaen Brouwer, whose earthy peasant scenes and tavern interiors set the template that Van Ostade refined over five decades.
His subjects were the daily activities of common people: peasants drinking, smoking, fighting, making music, gathering at fairs. The early paintings are rough and dark; as his career progressed, the interiors became lighter, the compositions more carefully arranged, the figures less grotesque. He was enormously productive. Estimates of his total output range from 385 to over 900 paintings, and at his death his studio contained more than two hundred unsold works.
In 1657 he married Anna Ingels, a wealthy Catholic woman from Amsterdam, and appears to have converted to Catholicism himself. He continued painting without decline into old age; two of his latest dated works, from 1676, show no weakening. He was buried in Haarlem in 1685, at seventy-four.
He was born in Haarlem in 1610, the eldest son of a weaver from the hamlet of Ostade near Eindhoven. He and his younger brother Isaack (also a painter) adopted "van Ostade" as a professional name. Both studied under Frans Hals, though neither absorbed much of Hals's style. The stronger influence on Adriaen was Adriaen Brouwer, whose earthy peasant scenes and tavern interiors set the template that Van Ostade refined over five decades.
His subjects were the daily activities of common people: peasants drinking, smoking, fighting, making music, gathering at fairs. The early paintings are rough and dark; as his career progressed, the interiors became lighter, the compositions more carefully arranged, the figures less grotesque. He was enormously productive. Estimates of his total output range from 385 to over 900 paintings, and at his death his studio contained more than two hundred unsold works.
In 1657 he married Anna Ingels, a wealthy Catholic woman from Amsterdam, and appears to have converted to Catholicism himself. He continued painting without decline into old age; two of his latest dated works, from 1676, show no weakening. He was buried in Haarlem in 1685, at seventy-four.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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