A detailed Early Netherlandish triptych by Gerard David, depicting the Baptism of Christ alongside the donor Jan Des Trompes and his family.

The Triptych of Jan Des Trompes, also known as the Baptism of Christ, is a significant work by the Early Netherlandish painter Gerard David. Commissioned by Jan Des Trompes, a treasurer of Bruges, the work displays the technical precision and attention to detail characteristic of the period. The central panel depicts the baptism of Christ in the River Jordan, with John the Baptist performing the rite. Above, the figure of God the Father appears within a celestial sphere, while the Holy Spirit descends in the form of a dove. The composition is notable for its integration of figures into a naturalistic setting, featuring dense foliage and distant rocky outcrops that suggest a deep, atmospheric space.

The side panels feature the donor and his family. On the left, Jan Des Trompes kneels in prayer, accompanied by his son and his patron saint, John the Evangelist. The right panel shows his first wife, Elisabeth van der Meersch, with their four daughters and her patron saint, Saint Elizabeth of Hungary. The inclusion of these figures reflects the devotional practices of the time, where patrons sought to secure their place within the religious narrative. David employs a refined colour palette, using deep reds and muted earth tones to balance the composition. The treatment of light, particularly in the reflection on the water and the soft illumination of the figures, demonstrates the artist's mastery of oil paint. This triptych remains a primary example of the transition toward a more humanised approach to religious subjects in Northern European art, moving away from the rigid iconographic traditions of the previous century while maintaining a high degree of finish and clarity.