Two Children - Oskar Kokoschka
Archival giclée
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Description
An expressive portrait by Oskar Kokoschka, featuring gestural brushwork and a focus on the psychological connection between two figures.
This work by Oskar Kokoschka, an Austrian painter associated with the early twentieth-century Expressionist movement, captures a moment of quiet interaction between two figures. Kokoschka is known for his psychological approach to portraiture, often prioritising the internal state of his subjects over strict anatomical accuracy. In this piece, the brushwork is gestural and immediate, reflecting the artist's rejection of academic polish in favour of raw, emotive application.
The composition focuses on the physical connection between the two children, with one figure reaching out to touch the hair of the other. The palette consists of earthy tones, greens, and blues, applied with a visible texture that creates a sense of urgency. The background remains largely indistinct, which serves to pull the viewer's attention toward the facial expressions and the tactile nature of the figures' interaction. Kokoschka's style during this period often involved a distortion of form to convey a specific mood or tension, a technique that became a hallmark of his contribution to modern European art.
By avoiding smooth transitions and blending, the artist maintains a sense of spontaneity. The figures appear to emerge from the paint itself, with light and shadow used to define their presence rather than precise outlines. This approach allows the viewer to engage with the work on a sensory level, observing the thickness of the paint and the direction of the strokes. It is a representative example of the artist's early career, during which he sought to strip away the artifice of traditional portraiture to reveal a more direct, human experience. The work remains a study in human connection, rendered through the lens of early Expressionist experimentation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Two Children - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
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