Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





Edvard Munch's 'Two Human Beings (The Lonely Ones)' captures the isolation and emotional distance between two figures gazing out at a bleak seascape, rendered in muted tones and broad brushstrokes.
Edvard Munch, a Norwegian painter (1863-1944), is a central figure in the development of Expressionism. His work often explores themes of anxiety, isolation, and human emotion, rendered with bold colours and distorted forms. Munch's paintings frequently depict figures in psychological distress, reflecting his own struggles with mental health and personal relationships. His most famous work, 'The Scream', has become an iconic representation of existential angst. 'Two Human Beings (The Lonely Ones)' exemplifies Munch's exploration of human isolation. Two figures, a man and a woman, stand with their backs to the viewer, gazing out at a bleak seascape. The woman, in a light-coloured dress, stands slightly apart from the man, who is dressed in dark clothing. The scene is rendered in muted tones, with broad brushstrokes that convey a sense of unease. The composition emphasises the distance between the figures, suggesting a lack of connection and a shared sense of loneliness. The painting's title reinforces this theme, highlighting the emotional distance that can exist even between individuals in close proximity.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Lost his mother and sister to tuberculosis as a child, painted The Scream at thirty (the figure is hearing it, not making it), and left a thousand paintings to Oslo.
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