Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Two Nudes - Marcel Duchamp
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
An early oil painting by Marcel Duchamp, featuring two figures in a natural setting, executed with visible brushwork and a focus on light.
Painted in 1910, Two Nudes represents a period in the career of Marcel Duchamp before his shift towards conceptual art and the readymades. This work displays the influence of Post-Impressionist techniques, particularly in the application of paint and the treatment of light. The composition features two figures, one facing the viewer and one seen from behind, positioned within a dense, foliage-filled setting.
Duchamp employs a palette dominated by earthy greens and cool tones, which contrast with the pale, luminous skin of the figures. The brushwork is visible and textured, suggesting a focus on the tactile quality of the paint surface rather than a smooth, academic finish. The figures appear somewhat detached from their surroundings, their forms rendered with a degree of abstraction that hints at the artist's later experiments with movement and geometry. The light seems to filter through the leaves, casting dappled shadows across the bodies of the subjects.
This painting provides a view into the early development of an artist who would eventually alter the course of twentieth-century art. While it lacks the radical subversion of his later works, it demonstrates his engagement with the traditions of figure painting and his interest in the interplay between the human form and its environment. The work is a study in colour and light, capturing a quiet moment of repose. It remains a clear example of the stylistic transition occurring in European art during the early 1900s, as artists moved away from strict representation toward more subjective interpretations of their subjects. The painting is held in the collection of the Philadelphia Museum of Art, which houses a significant portion of Duchamp's output.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Two Nudes - Marcel Duchamp
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Marcel Duchamp
Duchamp put a urinal on a plinth, signed it 'R. Mutt', and submitted it to an exhibition in 1917. The exhibition committee, which Duchamp was a member of, rejected it. He resigned in protest. The urinal, titled Fountain, is now considered one of the most important artworks of the twentieth century. The original was thrown away. Several replicas exist in major museums.
He was born near Rouen in Normandy, the brother of the sculptor Raymond Duchamp-Villon and the painter Jacques Villon. The family produced three significant artists, which is unusual. Marcel was the youngest and the most destructive.
His early career moved through Impressionism, Fauvism, and Cubism in rapid succession. Nude Descending a Staircase No. 2 (1912), a Cubist-Futurist painting of fragmented motion, caused a scandal at the New York Armory Show in 1913. One critic called it 'an explosion in a shingle factory'. The painting made Duchamp famous in America before he had set foot there.
He moved to New York in 1915. His contribution to art from this point was largely conceptual. The 'readymades', ordinary manufactured objects designated as art by the artist's choice (a bottle rack, a snow shovel, the urinal), dismantled the idea that art required skill, craft, or even making. The artist's decision was sufficient.
He spent twenty years officially retired from art, playing chess at a competitive level. In secret, he was building Etant Donnes, an installation visible only through two peepholes in a door. It was revealed after his death in 1968 and is permanently installed at the Philadelphia Museum of Art. He had been working on it for twenty years while telling everyone he had stopped making art.
He was born near Rouen in Normandy, the brother of the sculptor Raymond Duchamp-Villon and the painter Jacques Villon. The family produced three significant artists, which is unusual. Marcel was the youngest and the most destructive.
His early career moved through Impressionism, Fauvism, and Cubism in rapid succession. Nude Descending a Staircase No. 2 (1912), a Cubist-Futurist painting of fragmented motion, caused a scandal at the New York Armory Show in 1913. One critic called it 'an explosion in a shingle factory'. The painting made Duchamp famous in America before he had set foot there.
He moved to New York in 1915. His contribution to art from this point was largely conceptual. The 'readymades', ordinary manufactured objects designated as art by the artist's choice (a bottle rack, a snow shovel, the urinal), dismantled the idea that art required skill, craft, or even making. The artist's decision was sufficient.
He spent twenty years officially retired from art, playing chess at a competitive level. In secret, he was building Etant Donnes, an installation visible only through two peepholes in a door. It was revealed after his death in 1968 and is permanently installed at the Philadelphia Museum of Art. He had been working on it for twenty years while telling everyone he had stopped making art.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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