A 1906 woodcut by Wassily Kandinsky featuring two riders set against a bold, flat red background, showcasing his early interest in symbolic forms and folk-inspired aesthetics.

Produced in 1906, Two Riders against a Red Background reflects Wassily Kandinsky's early engagement with woodcut techniques and the influence of Russian folk art. During this period, Kandinsky spent time in Sèvres, France, where he experimented with the graphic possibilities of the woodblock medium. The composition features two figures on horseback, rendered with simplified, bold forms that prioritise symbolic expression over anatomical accuracy.

The work is defined by a stark contrast between the figures and the intense, flat red background. A large, white, cloud-like shape sits behind the left rider, while a dark, tree-like form stretches across the centre. The horses are depicted with patterned markings, suggesting a decorative approach common in his early graphic works. The use of black outlines provides a clear structure to the figures, separating them from the saturated colour field. This piece demonstrates the artist's transition from traditional representational painting toward the abstract visual language he would later develop.

Kandinsky often returned to the motif of the horse and rider throughout his career. It functioned as a recurring symbol, representing movement, spiritual journey, and the crossing of boundaries between different states of being. In this woodcut, the lack of perspective and the emphasis on two-dimensional space create a dreamlike quality. The print is a clear example of the artist's interest in the synthesis of folk traditions and modern aesthetic concerns. By stripping away unnecessary detail, Kandinsky focuses the viewer's attention on the relationship between colour, shape, and the rhythmic arrangement of the subjects within the frame.