Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

Two panels attributed to Filippo Lippi depict a male and female saint in tempera. The figures are rendered with delicate lines and a restrained colour palette, characteristic of Early Renaissance religious art.
These two panels, attributed to Filippo Lippi, present a pair of saints rendered in tempera. The left panel depicts a male saint, possibly a monastic figure, clad in dark robes. A halo of golden light encircles his head, and his gaze is directed slightly downward. The right panel features a female saint, dressed in a light-coloured habit, also adorned with a halo. She holds a book and rosary beads, with a small, dark figure, possibly a demon, lurking near her feet. Both figures are set against a simple architectural backdrop, framed by a shallow arch. The colour palette is restrained, dominated by muted tones of brown, grey, and gold. The composition is straightforward, emphasising the figures' piety and solemnity. Filippo Lippi (1406-1469) was an Italian painter of the Early Renaissance. He spent time as a Carmelite friar, but left the monastery to pursue painting. Lippi's work is characterised by its delicate figures, graceful lines, and use of colour. He was a significant influence on later Florentine artists, including Sandro Botticelli, who was his student. Lippi's paintings often combine religious themes with a humanistic sensibility, reflecting the changing cultural values of the Renaissance.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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a Carmelite friar who abducted a nun, escaped patrons through windows, and painted Madonnas of unprecedented warmth
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