Two Structural Constellations - Josef Albers
Archival giclée
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Description
A photograph of Josef Albers's mural, "Two Structural Constellations", featuring interconnected geometric shapes rendered with thin lines. The monochrome palette enhances the geometric forms, emphasising the interplay of light and shadow.
This photograph captures Josef Albers's "Two Structural Constellations", an abstract mural. Albers, a German-born artist (1888-1976), is best known for his geometric abstractions and colour theory explorations. He taught at the Bauhaus and Black Mountain College, influencing generations of artists. His work explores the relationships between colour, form, and perception. The mural consists of interconnected geometric shapes, primarily squares and rectangles, rendered with thin lines. The composition plays with perspective and spatial relationships, creating an illusion of depth and movement on a flat surface. The mural is integrated into the architecture of the space, interacting with the columns and ceiling. The photograph's monochrome palette enhances the geometric forms, emphasising the interplay of light and shadow. A figure stands in the foreground, providing a sense of scale and inviting the viewer to contemplate the relationship between the individual and the abstract environment.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Two Structural Constellations - Josef Albers
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Josef Albers
He was born in 1888 in Bottrop, Westphalia, into a Roman Catholic craftsman's family. He worked as a schoolteacher for five years before deciding to study art, joining the Bauhaus as a student in 1920 and becoming a faculty member by 1922. He married Anni Fleischmann, a Bauhaus textile student, in 1925.
At Black Mountain, his students included Robert Rauschenberg, Cy Twombly, Ruth Asawa, and Ray Johnson. He left in 1950 to head the Department of Design at Yale, where he taught until retirement in 1958. The teaching produced Interaction of Color (1963), a text arguing that colour can only be understood in context, never in isolation. It remains a standard reference.
The Homage to the Square series occupied the rest of his life: nested squares of colour, painted obsessively, with every pigment and proportion meticulously recorded. The paintings look simple. The colour relationships within them are not. He died in 1976.
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